The piece’s theatricality and technical prowess combine to perfect effect. The closing image of a straitjacketed Aung being gently carried into darkness is a stunner.
Michael Upchurch, The Seattle Times
Bouldin explored these ideas and themes with great care, thought and nice development, and ended with hope as one dancer tenderly lifted another, caressing that dancer as if a child.
Dean Speer, Critical Dance
Bouldin’s choreography, both technically complex and emotionally resonant, packs a universal punch that transcends the personal circumstances that spawned it.
Marcie Sillman, And another thing…